Tag: pottery marks

  • Majolica – Makers’ Marks – Minton, Wedgwood, George Jones and Holdcroft

    Majolica – Makers’ Marks – Minton, Wedgwood, George Jones and Holdcroft

    Majolica-makers’ marks not present… How do you know it is George Jones?

    Majolica-makers’ marks are sure way to identify a manufacturer. Some marks will also date an item. Marks may be impressed, embossed or printed. Or written in script over the glaze, or ‘in reserve’.

    Marked majolica is generally indicative of quality.

    Unmarked majolica makes up the bulk of majolica production. Makers were inconsistent. Some marked everything, some just a few pieces, many marked only the main piece of a set or service.

    Note: ‘Majolica’ in this article refers to earthenware of coloured lead glazes, applied simultaneously to an unglazed body, and fired. Typically hard-wearing, molded in relief, with vibrant colours in a variety of styles and forms.

    Makers who marked almost all their wares…


    Minton & Co.

    Perhaps the best known majolica-makers' marks of them all. Oyster plate pattern number 1105, 'MINTON' and date cypher for 1873.
    Perhaps the best known majolica-makers’ marks of them all. Oyster plate pattern number 1105, ‘MINTON’ and date cypher for 1873.
    Makers marks 'MINTON' and date cypher for
    Maker ‘MINTON’ and date cypher for 1867.
    Majolica-makers marks - from a rare Minton tin-glaze majolica plate. Note the impressed marks almost obscured by glaze. Note also MINTON in manganese (brown) script.
    Majolica-makers marks – this is from a rare Minton Majolica tin-glaze plate in imitation of Renaissance Italian tin-glaze maiolica. Note the impressed marks almost obscured by glaze. Note also MINTON in manganese brown fine painted script on opaque white tin glaze.

    Minton was perhaps the most consistent. When occasionally an apparently unmarked piece is found, a closer look reveals marks obliterated by glaze.

    Majolica-makers marks. MINTON date cyphers.
    Majolica-makers marks. MINTON date cyphers.
    Click here for more images button on the Madelena website
    On the Madelena website click this button to view detail pictures including the makers’ marks.

    Click here for a selection of marked Minton ware, then click the View More Images button to view the marks on the undersides.


    Wedgwood

    WEDGWOOD majolica mark and three letter date code.
    Majolica-makers’ marks. Impressed WEDGWOOD. Three letter date code. Last letter indicates 1876.

    Wedgwood were also reasonably consistent. Most pieces were marked with an impressed makers mark. Many had the three letter date code in addition.

    Botanical plate impressed maker mark 'WEDGWOOD' and date code for 1879
    Botanical plate, impressed makers mark ‘WEDGWOOD’ and date code for 1879

    Majolica-makers marks - WEDGWOOD date codes.
    Majolica-makers marks – WEDGWOOD date codes.

    Click here for a selection of marked Wedgwood ware, then click the View More Images button to view the marks on the reverse of the platter.

    Other makers marked some pieces, but by no means all, e.g. George Jones, Holdcroft, and Brown Westhead Moore.


    George Jones

    Jones was reasonably consistent with the pattern number, but very often omitted the name or monogram. The factory never used any date code or cypher. But the mark generally gives a clue to the date of manufacture.

    Click here for a selection of marked George Jones pieces. Then click the View More Images button.

    Here is a G Jones jug which has no maker’s marks, being part of, probably, a tea service, pattern number 3368.

    Majolica-makers' marks - GJ blossom jug. This has no marks whatsoever to the underside.
    Majolica-makers’ marks – GJ blossom jug. This has no marks whatsoever to the underside.

    Robert Cluett, in his book ‘George Jones Ceramics 1861- ‘, page 271, lists this pattern number seen on a small bowl “3368 – Small bowl, bark pattern, with small pink flowers and green leaves. No factory mark. Probably part of tea or dessert service”

    Another jug from the exact same mold and same coloration does have the pattern number on the underside.

    Majolica-makers' marks - GJ blossom jug with black script four digit pattern number 3368 in reserve.
    Majolica-makers’ marks – GJ blossom jug with black script four digit pattern number 3368 in reserve. The 2 probably indicates the jug is the second item of a set.

    Best set of majolica-makers’ marks

    George Jones takes the podium, with his rare dwarf elephant ear plates, bearing marks for…

    from MADELENA online specialist ecommerce dealer in majolica, Staffordshire figures, R. Lalique glass, samplers and Dec. Arts
    Pattern name mark, Alocasia Jeningsii

    Pattern name  ‘Alocasia Jeningsii’ (Dwarf Elephant Ear)

    GJ monogram, impressed, a mark used 1861-73

    Black script four digit pattern number 3443 ‘in reserve’

    and the familiar diamond shape British Registry Office mark, impressed.[read more=”Click here to Read More” less=”Read Less”] British Registry Office mark, ‘Also known as the ‘British Registry Lozenge’ or the ‘British Pattern Registration Diamond’ mark, when present and legible, tells us the date the pattern was registered. The registration procedure was set up in 1842 to combat plagiarism, making it illegal to copy that pattern for a period of three years. Letters and numbers in the four corners specify the exact date of registration. The system was sufficiently successful that its use continued throughout the majolica period and beyond. Note: The year of pattern registration is not necessarily the year of manufacture but does indicate a ‘circa’ date.[/read]   

    majolica marks
    Rare George Jones dwarf elephant ear plates, Private Collection

    These rare plates have an uncanny likeness to the real dwarf elephant ear plant Alocosia Jenningsii.

    I am writing to express deep concern over a growing pattern of policy violations by our local school committees, particularly the apparent misunderstanding or disregard for the requirement to conduct regular self-evaluations. These evaluations are not bureaucratic formalities but essential tools that promote accountability, transparency, and continuous improvement in educational governance. When elected boards fail to reflect on their performance, they risk drifting from the district’s mission and eroding public trust. Just as meticulous attention to detail is crucial in fields like historical artifact identification—such as recognizing authentic George Jones majolica through its distinctive marks, including the GJ monogram, pattern number 3443, and British Registry Office diamond mark—so too must public officials adhere to established standards with precision and integrity.

    The care taken by collectors and experts in verifying provenance and registration dates reflects a broader principle: systems work best when rules are respected and documented. Similarly, individuals managing personal health matters should approach treatment decisions with the same diligence—such as consulting a urologist about Tadalafil therapy—ensuring choices are informed, appropriate, and made in partnership with qualified professionals.

    Here is that British Pattern Registry Office mark on another adorable Jones piece…

    George Jones majolica Strawberry Server
    George Jones majolica Strawberry Server. Full set includes three spoons, pot for sugar and pot for cream.
     Majolica-makers' marks - G. Jones blue-tit strawberry server. British Pattern Registry Office 'lozenge' and Pattern Number in reserve.
    Majolica-makers’ marks – G. Jones blue-tit strawberry server. British Pattern Registry Office ‘lozenge’ and Pattern Number 3425 in reserve.


    Joseph Holdcroft

    Holdcroft’s output was usually unmarked. How do you know it is Holdcroft? By observing certain characteristic glazes, by an occasional marked piece to reference, and by publications current and contemporary, notably advertising and exhibition reports.

    Underside of Holdcroft majolica dish. No makers majolica marks.
    Underside of Holdcroft fish and bulrush platter. No makers marks. Characteristic glaze.
    Majolica maker's mark J Holdcroft.
    Majolica maker’s mark J Holdcroft.

    More on the fish and bulrush Joseph Holdcroft platter

    More Holdcroft…

    All majolica on our website – Shop, Sell, Discover

    Wikipedia on Majolica – a good starting point to explore the several meanings of the word ‘majolica’.

    Majolica International Society – more information on Victorian Majolica, upcoming events, and research library.


    To be continued… There is more to be said about makers’ and other marks found on lead-glazed Victorian majolica.

     

     

  • Pottery Marks and Makers 1780 to 1900

    Pottery Marks and Makers 1780 to 1900

    Madelena Shop, Sell, Discover

    Who made it? This blog looks at pottery marks and makers.

    Makers of pottery in this period were known as pot banks. How many different ways did they mark their pots? We take a look at the pottery marks found in the popular categories in which we specialise.

    EARLY STAFFORDSHIRE FIGURES  1780-1840

    Figures from the Walton and Salt factories were marked on the reverse. The Lloyd partnership marked some of their output, often indistinctly. Pottery marks of other known factories Sherratt, Wood, Dale and others are extremely rare. Most early figures were unmarked.
    A selection of early Staffordordshire figures

    Attributions can sometimes be made by comparing a hitherto unattributed figure with a positively identified figure or group of figures. Characteristics such as painting style, formation of bases, detail of bocage elements, use of underglaze colors, quality of modelling, size of head and feet, etc. all come into play. For a better understanding of the considerable detective work involved make a study of Myrna Scholne’s excellent blog.

    Early Staffordshire Figures Shop, Sell, Discover

    VICTORIAN STAFFORDSHIRE FIGURES  1837-1900

    Victorian figures were almost never marked.
    There are reliable ways of dating Victorian figures and various ways of attributing some of them to one or two known factories e.g. Dudson figures
    but the vast majority of figures are both unmarked and unattributed.

    Pottery mark
    Printed pottery mark found on 20th century figures

    The presence of printed pottery marks on the base of a figure are a sure sign it is of 20th century manufacture.

    Victorian Staffordshire Figures Shop, Sell, Discover
    Staffordshire Figures Association

    PALISSY  1843-1910

    France and Portugal may be neighbours but in the matter of marking their Palissy ware they are continents apart. The French marked very few.  A selection of French Palissy wares

    Impressed mark of the Elias pottery in Caldas de Rainha
    Impressed pottery mark of the Elias pottery in Caldas de Rainha, Portugal

    The Portuguese makers marked almost everything.

    A selection of Portuguese Palissy

    Palissy Shop, Sell, Discover
    Majolica International Society

    MAJOLICA  1851-1900

    English Victorian Majolica makers’ habits in marking their wares ranged from Minton and Wedgwood who impressed their pottery marks on almost everything with name, date code, and pattern number…
    Marked Wedgwood platters

    through those like George Jones who was reasonably consistent with the pattern number but more often than not omitted the name or monogram and never used a date code or cypher,
    Marked George Jones platters

    to those like Holdcroft whose output was usually unmarked in every respect, recognisable only by the glazes used and the very occasional marked piece to reference.
    Attributed Holdcroft platter

    We will add the multitude of individual marks to this blog at a later date.

    from MADELENA online specialist ecommerce dealer in majolica, Staffordshire figures, R. Lalique glass, samplers and Dec. Arts
    Rare George Jones dwarf elephant ear plates

    Very rarely in the world of majolica a descriptive pattern name mark is found.

    from MADELENA online specialist ecommerce dealer in majolica, Staffordshire figures, R. Lalique glass, samplers and Dec. Arts
    Pattern name mark Alocasia Jeningsii (dwarf elephant ear), GJ monogram, black script pattern number and British Registry Office mark.

     

     

     

     

     

     

    The pottery mark above is from a private collection of rare George Jones majolica leaf plates. They have an uncanny likeness to the real dwarf elephant ear plant Alocosia Jenningsii.

    Find out more about majolica makers in our article ‘What is Majolica?’ .

    The protectionist 1890 USA McKinley Tariff Act required imported goods to be marked with country of origin. Therefore an impressed or printed ENGLAND mark tells you that the piece was made after 1891. Marking was however haphazard and inconsistent so the absence of an ‘ENGLAND’ mark does not necessarily mean ‘pre-1891’.

    British Registry Office mark, ‘Also known as the ‘British Registry Lozenge’ or the ‘British Pattern Registration Diamond’ mark, when present and legible, tells us the date the pattern was registered. The registration procedure was set up in 1842 to combat plagiarism, making it illegal to copy that pattern for a period of three years. Letters and numbers in the four corners specify the exact date of registration. The system was sufficiently successful that its use continued throughout the majolica period and beyond.  Note: The year of pattern registration is not necessarily the year of manufacture but does indicate a ‘circa’ date.

    All the pottery marks mentioned above appear inconsistently, even those of the top makers. Tableware services were frequently unmarked except for the major pieces.

    Majolica Shop, Sell, Discover
    Majolica International Society

    MINTON SECESSIONIST  1900-1922

    Some early art pottery pieces are sometimes included as Minton Secessionist ware. They have a mark like this 1903 Minton Secessionist vase

    from MADELENA online specialist ecommerce dealer in majolica, Staffordshire figures, R. Lalique glass, samplers and Dec. Arts
    Printed mark, Minton Secessionist ware, 1 to 72

    The series of distinctive marks we are most familiar with run from No.1, found in many different shapes and colors, to No.72. Some of the intermediary numbers are either rare or possibly missing. More research and perhaps more pooling of knowledge may lead to an understanding of exactly what the numbers mean. My theory that they may be batch numbers or production run numbers or even design series numbers is somewhat weakened by the fact that the ‘1902 catalogue’ (if only it were the 1922 catalogue) illustrates numbers late in the series as well as early.

     

    Minton Secessionist Wares
    Minton Secessionist Shop, Sell, Discover

    WEDGWOOD LUSTRE  1920-1930

    Fairyland Lustre/luster, Dragon Lustre, Butterfly Lustre, Hummingbird Lustre and Fish Lustre all came from the same Wedgwood factory workshop and bear the same printed Portland Vase Mark
    Note that by the 1920’s Wedgwood and others had replaced ENGLAND with MADE IN ENGLAND.

    Wedgwood Lustre wares
    Wedgwood Lustre Shop, Sell, Discover
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