{"id":1254,"date":"2016-01-26T02:22:45","date_gmt":"2016-01-26T02:22:45","guid":{"rendered":"https:\/\/madelena.com\/blog\/?p=1254"},"modified":"2021-09-24T12:13:34","modified_gmt":"2021-09-24T11:13:34","slug":"victorian-majolica-maiolica-quiz-answers","status":"publish","type":"post","link":"https:\/\/madelena.com\/blog\/victorian-majolica-maiolica-quiz-answers\/","title":{"rendered":"Majolica? Maiolica? Victorian Majolica Maiolica &#8211; Quiz Questions, Answers, Evidence"},"content":{"rendered":"<h1>Which is it? What is it? Majolica? Maiolica? Victorian Majolica?<\/h1>\n<h1>MAIOLICA MAJOLICA<\/h1>\n<h2><strong> \u201cThese two words have been used interchangeably and still are.\u201d<\/strong><\/h2>\n<h2>Online Search Engines<\/h2>\n<p>Present day dictionary compilers and online search engines\u2019 primary definitions treat\u00a0&#8216;maiolica&#8217; and &#8216;majolica&#8217;\u00a0as interchangeable. Fans of tin glazed maiolica (with an &#8216;i&#8217;) and fans\u00a0of\u00a0lead glazed\u00a0majolica (with a &#8216;j&#8217;)\u00a0 both\u00a0feel this is overdue for correction. We can see they are different. We know they\u00a0are different. Do they not deserve one clear sense each?<\/p>\n<figure id=\"attachment_1306\" aria-describedby=\"caption-attachment-1306\" style=\"width: 570px\" class=\"wp-caption aligncenter\"><a style=\"color: #ffff00;\" href=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-2-cleverWebsite.JPG\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1306\" src=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-2-cleverWebsite.JPG\" alt=\"'Clever' website searches for MAIOLICA books and finds all our books on Victorian Majolica\" width=\"570\" height=\"591\" srcset=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-2-cleverWebsite.JPG 570w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-2-cleverWebsite-145x150.JPG 145w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-2-cleverWebsite-289x300.JPG 289w\" sizes=\"auto, (max-width: 570px) 100vw, 570px\" \/><\/a><figcaption id=\"caption-attachment-1306\" class=\"wp-caption-text\"><span style=\"color: #ffffff;\">&#8216;Clever&#8217; website searches for MAIOLICA books and finds all our books on Victorian Majolica!<\/span><\/figcaption><\/figure>\n<p>Above, a \u2018clever\u2019 website looks for Amazon books on a particular subject. The subject search is for \u2018maiolica\u2019. Unfortunately the built-in online dictionary defines maiolica as majolica so Victorian lead-glaze majolica is what it references!<\/p>\n<h2>Auctioneers<b><\/b><i><\/i><u><\/u><\/h2>\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1272 alignleft\" src=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/majolica-auction-turns-out-to-be-tin-glaze.JPG\" alt=\"1859 MAJOLICA auction turns out to be Italian tin-glaze MAIOLICA\" width=\"346\" height=\"423\" srcset=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/majolica-auction-turns-out-to-be-tin-glaze.JPG 346w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/majolica-auction-turns-out-to-be-tin-glaze-123x150.JPG 123w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/majolica-auction-turns-out-to-be-tin-glaze-245x300.JPG 245w\" sizes=\"auto, (max-width: 346px) 100vw, 346px\" \/><\/h2>\n<p>Christies&#8217; 1859 auction of MAJOLICA WARE (picture to the left) turns out to be entirely of tin-glaze Italian maiolica.<\/p>\n<p>At this time both in England and in the\u00a0US the word &#8216;majolica&#8217; was the word normally used for tin-glaze Italian maiolica.<\/p>\n<h2>Dictionary Compilers<\/h2>\n<figure id=\"attachment_1261\" aria-describedby=\"caption-attachment-1261\" style=\"width: 446px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1261\" src=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/OED-on-line-edition-2012-Majolica-n.-definition-3..JPG\" alt=\"OED on line edition 2012, Majolica n. definition 3.\" width=\"446\" height=\"413\" srcset=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/OED-on-line-edition-2012-Majolica-n.-definition-3..JPG 459w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/OED-on-line-edition-2012-Majolica-n.-definition-3.-150x139.JPG 150w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/OED-on-line-edition-2012-Majolica-n.-definition-3.-300x278.JPG 300w\" sizes=\"auto, (max-width: 446px) 100vw, 446px\" \/><figcaption id=\"caption-attachment-1261\" class=\"wp-caption-text\">OED on line edition 2012, Majolica n. definition 3.<\/figcaption><\/figure>\n<p>Even the Oxford English Dictionary definition muddles the two products.<\/p>\n<p>3. Majolica n.\u00a0\u00a0A type of 19th-century earthenware with coloured decoration on an opaque white tin (or sometimes lead) glaze, of vaguely Renaissance inspiration\u2026 introduced by Minton in 1851&#8230;<\/p>\n<p>Delete &#8220;or sometimes lead&#8221; and delete &#8220;typically used for large decorative items, tableware, tiles and figures&#8221; to arrive at a good definition of Minton&#8217;s rare\u00a0tin-glaze &#8216;English majolica&#8217; product about which most people have never heard.<\/p>\n<p>3.\u00a0 <span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Libre Franklin','Helvetica Neue',helvetica,arial,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Majolica n.\u00a0\u00a0A type of 19th-century earthenware with coloured decoration on an opaque white tin glaze, of vaguely Renaissance inspiration; (also) the technique of painting on to unfired opaque white glaze\u2026 introduced by Minton in 1851&#8230;<\/span><\/p>\n<h2>So where is the\u00a0definition of <em>our<\/em> majolica, the sensational world-renowned majolica of coloured lead glazes?<\/h2>\n<figure id=\"attachment_1533\" aria-describedby=\"caption-attachment-1533\" style=\"width: 294px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/10\/Conundrums16MintonJard.JPG\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1533\" src=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/10\/Conundrums16MintonJard.JPG\" alt=\"Minton majolica jardini\u00e8re and stand circa 1861, coloured lead glazes applied directly to the biscuit, shape first introduced at the 1851 Exhibition.\" width=\"294\" height=\"300\" srcset=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/10\/Conundrums16MintonJard.JPG 282w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/10\/Conundrums16MintonJard-147x150.JPG 147w\" sizes=\"auto, (max-width: 294px) 100vw, 294px\" \/><\/a><figcaption id=\"caption-attachment-1533\" class=\"wp-caption-text\">Minton majolica jardini\u00e8re and stand circa 1861, coloured lead glazes applied directly to the biscuit, shape first introduced at the 1851 Exhibition.<\/figcaption><\/figure>\n<p>The Minton factory called it &#8216;Palissy&#8217; ware. It was <em>this<\/em> product, not the tin-glazed &#8216;majolica&#8217; in imitation of Italian maiolica that was <span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Libre Franklin','Helvetica Neue',helvetica,arial,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">&#8220;typically used for large decorative items, tableware, tiles and figures&#8221;?<\/span><\/p>\n<p>The world would appreciate more clarity in the way the word &#8216;majolica, n.&#8217; is used.<\/p>\n<p>It might be helpful, for example, to<\/p>\n<ul>\n<li>Reference process, materials, and appearance more frequently than referencing styles &#8211; which appear, not only Minton&#8217;s tin-glaze majolica and Minton&#8217;s coloured lead glazes majolica (&#8216;lead-glaze majolica&#8217;), but also in ceramics, metal ware, etc..<\/li>\n<li>Update dictionaries with the sense (dictionary definition), majolica n. A type of <a title=\"earthenware\" href=\"https:\/\/en.wiktionary.org\/wiki\/earthenware\">earthenware<\/a>\u00a0decorated with coloured\u00a0<a title=\"lead\" href=\"https:\/\/en.wiktionary.org\/wiki\/lead\">lead<\/a>\u00a0<a title=\"glaze\" href=\"https:\/\/en.wiktionary.org\/wiki\/glaze\">glazes<\/a> applied simultaneously to an unglazed\u00a0<a title=\"body\" href=\"https:\/\/en.wiktionary.org\/wiki\/body\">body<\/a>, then fired; typically modelled in relief and naturalistic in inspiration (style); (also) the technique of painting coloured lead glazes on to a once-fired earthenware biscuit body.<\/li>\n<li>See museums, auction houses, authors and academics using the words <strong>&#8216;colored lead-glazes majolica&#8217;<\/strong> for Minton&#8217;s lead glaze product, and <b>&#8216;tin-glazed majolica&#8217;<\/b> for Minton&#8217;s tin-glazed product.<\/li>\n<\/ul>\n<p><b>Maiolica<\/b> is earthenware typically with\u00a0painted decoration\u00a0on a whitish tin-glaze enamel. The &#8216;biscuit&#8217; is coated with tin-glaze and allowed to dry, unfired. Brush-painted decoration is applied to the dry unfired\u00a0tin-glaze, then\u00a0fired.<\/p>\n<p>The majolica\/maiolica names muddle existed well before 1848. But it got worse in the years that followed as we now explain.<\/p>\n<h1>QUESTIONS, ANSWERS and EVIDENCE<\/h1>\n<p>We compiled a fun quiz to illuminate facts relevant to the definition of Victorian majolica.<br \/>\n<a href=\"http:\/\/majolicasociety.com\/index.html\">The Majolica International Society<\/a> published\u00a0the quiz in the\u00a0January 2016\u00a0issue of\u00a0&#8216;Majolica Matters&#8217;, the quarterly\u00a0newsletter circulated to\u00a0members by regular mail.\u00a0In this blog we\u00a0detail evidence to support the answers. <strong>The difference between the coloured-lead-glazes process and the enamels-on-tin-glaze process emerges as key to understanding.<\/strong><\/p>\n<p>There were no trick questions, but you had to read carefully.<\/p>\n<figure id=\"attachment_1257\" aria-describedby=\"caption-attachment-1257\" style=\"width: 425px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/Minton-Victorian-Majolica-Pottery-Jardiniere.JPG\" rel=\"attachment wp-att-1257\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1257\" src=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/Minton-Victorian-Majolica-Pottery-Jardiniere.JPG\" alt=\"Minton Victorian Majolica Pottery Jardiniere\" width=\"425\" height=\"381\" srcset=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/Minton-Victorian-Majolica-Pottery-Jardiniere.JPG 425w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/Minton-Victorian-Majolica-Pottery-Jardiniere-150x134.JPG 150w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/Minton-Victorian-Majolica-Pottery-Jardiniere-300x269.JPG 300w\" sizes=\"auto, (max-width: 425px) 100vw, 425px\" \/><\/a><figcaption id=\"caption-attachment-1257\" class=\"wp-caption-text\">Victorian Majolica Pottery, Minton Jardiniere, 1870<\/figcaption><\/figure>\n<p>Known today as Victorian Majolica, an exciting new product with an extended range of\u00a0 brilliantly coloured lead glazes received its first\u00a0major public airing at the 1851 Exhibition\u00a0of the Industry of\u00a0All Nations.<\/p>\n<h2><strong>1.\u00a0\u201cMinton exhibited two new products at the 1851 Great Exhibition and the 1855 Paris Exhibition. Minton called these \u2018Palissy ware\u2019 and \u2018Majolica\u2019\u201d<\/strong><\/h2>\n<p>A. True\u00a0 B. False\u00a0 <strong>B. TRUE <\/strong><\/p>\n<p>a)\u00a0The Illustrated London News, Nov. 10, 1855, p.561:<\/p>\n<p>\u201cMessrs. Minton and Co. are the most conspicuous contributors of pottery in the Paris Exhibition\u2026 The collection of <span style=\"color: #00ff00;\">Palissy<\/span> and <span style=\"color: #ffff00;\">Majolica<\/span> ware\u2026 is that which appears to have created the greatest sensation among Parisian connoisseurs\u2026\u201d<\/p>\n<p>b)\u00a0Leon Arnoux, 1877:<\/p>\n<p><em>[Comments in brackets are ours]<\/em><br \/>\n\u201cI have given the name of <span style=\"color: #ffff00;\">Majolica<\/span> <em>[he is referring to his tin-glaze ware]<\/em> to that class of ornament, whose surface is covered with opaque enamels of a great variety of colours. It is only connected with the Italian or Moorish in this respect, that the opacity of the enamels is produced by the oxide of tin; but as we have not in England the calcareous clay for making the real article, we have been obliged to adapt, as well as we could, the old processes to the materials at our disposal.<\/p>\n<p>&#8220;At present, English <span style=\"color: #ffff00;\">majolica<\/span> <em>[He is still referring to his tin-glaze ware with the English body]<\/em> is very popular, and without a rival for garden decoration, as it stands exposure to the weather better than ordinary earthenware, besides the impossibility of the latter receiving the opaque enamels without crazing or chipping.<\/p>\n<p>\u201c<span style=\"color: #ffff00;\">Majolica<\/span> <em>[Still referring to his\/Minton\u2019s version of tin-glaze ware: English body with opaque white tin-glaze, brush-painted with metal-oxide colors]<\/em> was produced for the first time by Messrs. Minton, in 1850<em> [Minton actually exhibited TWO new products at the Great Exhibition in 1851, <span style=\"color: #ffff00;\">&#8216;majolica\u2019<\/span> and <\/em><em><span style=\"color: #00ff00;\">&#8216;Palissy ware\u2019<\/span>],<\/em> and they have been for many years the only producers of this article. It is only five or six years ago <em>[1871]<\/em> that Messrs. Maw, of Broseley, in Shropshire (and very lately the Worcester manufactory), have made a pottery of the same kind <em>[This is further proof that he is still referring to tin-glaze. Lead-glaze ware was copied and in production by multiple manufacturers long before 1871]<\/em>.<\/p>\n<p>\u201cThe name of majolica is now applied indiscriminately to all fancy articles of coloured pottery. When, however, it is decorated by means of coloured glazes <em>[He means coloured lead glazes],<\/em> if these are transparent, it ought to be called <span style=\"color: #00ff00;\">Palissy ware<\/span>, from the name of the great artist who used these for his beautiful works <em>[Referring to Bernard Palissy, father of French ceramics, working mid-16th century].<\/em> Messrs. Wedgwood, George Jones, and a few other makers of less importance, are reproducing it more or less successfully <em>[Amusing comment, but it does prove he is now referring to the lead-glaze ware we now call <span style=\"color: #00ff00;\">Majolica<\/span>].<\/em><\/p>\n<p>Online source: <a href=\"https:\/\/archive.org\/stream\/britishmanufact08goog#page\/n56\/mode\/2up&quot; target=&quot;_blank\" target=\"_blank\" rel=\"noopener\">British Manufacturing Industry<\/a>, Leon Arnoux, 1877<\/p>\n<h2><strong>2.\u00a0Mid-19th century what other word was commonly used in England for Italian tin-glaze maiolica?<\/strong><\/h2>\n<p>A. Majolica\u00a0\u00a0 B. Majolika\u00a0\u00a0 <strong>A. MAJOLICA<\/strong><\/p>\n<p>The <a href=\"http:\/\/www.vam.ac.uk\/content\/articles\/a\/a-to-z-of-ceramics\/#M\" target=\"_blank\" rel=\"noopener\">South Kensington Museum\u2019s 1875 initiative<\/a> to encourage the use of the \u2018i\u2019 spelling as in \u2018maiolica\u2019 (in place of the \u2018j\u2019 spelling as in \u2018majolica\u2019) to distinguish tin-glaze from lead-glaze earthenware\u00a0appears to have\u00a0been largely ignored.<\/p>\n<p>The result was that all\u00a0<strong>three<\/strong> meanings of the word MAJOLICA remained in use: the <strong>first<\/strong>, majolica meaning tin-glaze Italian maiolica; the <strong>second<\/strong> majolica to describe what we now call lead-glaze Victorian majolica; and the <strong>third<\/strong> the \u2018majolica\u2019 name Minton gave to his own tin-glaze version of tin-glazed Italian maiolica using local clays which\u00a0Arnoux sometimes calls\u00a0\u2018English majolica\u2019.<\/p>\n<figure id=\"attachment_1273\" aria-describedby=\"caption-attachment-1273\" style=\"width: 343px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/Solon-1907-History-of-Majolica.JPG\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1273 size-full\" src=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/Solon-1907-History-of-Majolica.JPG\" alt=\"Solon 1907 History of Majolica\" width=\"343\" height=\"209\" srcset=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/Solon-1907-History-of-Majolica.JPG 343w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/Solon-1907-History-of-Majolica-150x91.JPG 150w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/11\/Solon-1907-History-of-Majolica-300x183.JPG 300w\" sizes=\"auto, (max-width: 343px) 100vw, 343px\" \/><\/a><figcaption id=\"caption-attachment-1273\" class=\"wp-caption-text\">Mark-Louis Solon, 1907, &#8220;A History of Italian Majolica&#8221;. Ignoring the South Kensington Museum&#8217;s initiative he uses the word &#8216;majolica&#8217; for tin-glazed Italian maiolica which is the sole content<\/figcaption><\/figure>\n<p>In 1907 Mark-Louis Solon <em>[he married the daughter of Leon Arnoux]<\/em>, makes no mention of lead-glazed earthenware\u00a0in his publication &#8216;A HISTORY AND DESCRIPTION of ITALIAN MAJOLICA&#8217;.<\/p>\n<p>He uses the anglicized word \u2018majolica\u2019 in place of \u2018maiolica\u2019 throughout. His bibliography\u00a0further\u00a0illustrates the general\u00a0use of <strong>&#8216;Majolica&#8217;<\/strong> for Italian tin-glaze Renaissance earthenware:<\/p>\n<p>&#8220;MEURER Italienische <strong>Majolika<\/strong> Fliesen. Berlin 1881; FORTNUM Catalogue of <strong>Majolica<\/strong> in South Kensington Museum. London, 1873; BECKWITH <strong>Majolica<\/strong> and Faience. New York, 1877; WALLIS The <strong>Majolica<\/strong> Pavements of the\u00a015th\u00a0Century. 1902; FALKE <strong>Majolika<\/strong>. Berlin, 1896&#8243;<\/p>\n<h2><strong>3.\u00a0Tin glaze is a mix of silicates (sand), potash (or similar), lead oxide and tin oxide.<\/strong><\/h2>\n<p>A. True\u00a0 B. False\u00a0 <strong>B. TRUE<\/strong><br \/>\n<strong>Fortnum, 1875, on tin-glaze:<\/strong><\/p>\n<p>&#8220;We shall be occupied with the glazed and enamelled wares: the first of which may be again divided into siliceous or glass glazed, and plumbeous or lead glazed.<\/p>\n<p>&#8220;In these subdivisions the foundation is in all cases the same.\u00a0The mixed clay or &#8220;paste&#8221; or &#8220;body&#8221; (varied in composition\u00a0 according to the nature of the glaze to be superimposed) is formed\u00a0 by the hand, or on the wheel, or impressed into moulds ; then\u00a0 slowly dried and baked in a furnace or stove, after which, on cooling, it is in a state to receive the glaze.<\/p>\n<p>\u201cThis is prepared by fusing sand or other siliceous material with potash or soda to form a translucent glass, the composition, in the main, of the glaze upon siliceous wares. The addition of a varying but considerable quantity of the oxide of lead, by which it is rendered more easily\u00a0 fusible but still translucent, constitutes the glaze of plumbeous\u00a0wares: and the further addition of the oxide of <span style=\"color: #ffff00;\">tin<\/span> produces an\u00a0 enamel of an opaque white of great purity, which is the characteristic glazing of stanniferous or<span style=\"color: #ffff00;\"> tin-glazed<\/span> wares.&#8221;<\/p>\n<p>Online source: <a href=\"http:\/\/www.ebooksread.com\/authors-eng\/c-drury-e-charles-drury-edward-fortnum\/maiolica-tro\/1-maiolica-tro.shtml\" target=\"_blank\" rel=\"noopener\">Fortnum, 1875 on GLAZES<\/a><\/p>\n<h2><strong>4. Lead glaze is a mix of silicates, potash (or similar) and the oxide of lead<\/strong><\/h2>\n<p>A. True\u00a0 B. False\u00a0 <strong>A. TRUE<\/strong><\/p>\n<p><strong>Fortnum, 1875, on lead-glaze:<\/strong><\/p>\n<p>\u201cWe shall be occupied with the glazed and enamelled wares: the first of which may be again divided into siliceous or glass glazed, and plumbeous or lead glazed.<\/p>\n<p>\u201cIn these subdivisions the foundation is in all cases the same.\u00a0The mixed clay or &#8220;paste&#8221; or &#8220;body&#8221; (varied in composition\u00a0 according to the nature of the glaze to be superimposed) is formed\u00a0 by the hand, or on the wheel, or impressed into moulds ; then\u00a0 slowly dried and baked in a furnace or stove, after which, on cooling, it is in a state to receive the glaze.<\/p>\n<p>\u201cThis is prepared by fusing sand or other siliceous material with potash or soda to form a translucent glass, the composition, in the main, of the glaze upon siliceous wares. The addition of a varying but considerable\u00a0quantity of the oxide of <span style=\"color: #00ff00;\">lead<\/span>, by which it is rendered more easily\u00a0 fusible but still translucent, constitutes the glaze of <span style=\"color: #00ff00;\">plumbeous<\/span> wares: and the further addition of the oxide of tin produces an\u00a0 enamel of an opaque white of great purity, which is the characteristic glazing of stanniferous or tin-glazed wares.<\/p>\n<p>Online source: <a href=\"http:\/\/www.ebooksread.com\/authors-eng\/c-drury-e-charles-drury-edward-fortnum\/maiolica-tro\/1-maiolica-tro.shtml\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0066cc;\">Fortnum, 1875 on GLAZES<\/span><\/a><\/p>\n<h2><strong>5.\u00a0What were the public calling Minton\u2019s \u2018Palissy ware\u2019 by 1875?<\/strong><\/h2>\n<p>A. Portuguese Palissy\u00a0 B. English Palissy\u00a0 C. majolica\u00a0 D. maiolica<\/p>\n<p><strong>C. MAJOLICA<\/strong><\/p>\n<p><strong>Leon Arnoux, 1877, on &#8216;Palissy ware&#8217; and &#8216;majolica&#8217;:<\/strong><\/p>\n<p><em>[Comments in brackets are ours]<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1217\" src=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/Leon-Arnoux-1877-on-Palissy-ware-and-majolica.JPG\" alt=\"Leon Arnoux 1877 on Palissy ware and majolica\" width=\"502\" height=\"413\" srcset=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/Leon-Arnoux-1877-on-Palissy-ware-and-majolica.JPG 502w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/Leon-Arnoux-1877-on-Palissy-ware-and-majolica-150x123.JPG 150w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/Leon-Arnoux-1877-on-Palissy-ware-and-majolica-300x247.JPG 300w\" sizes=\"auto, (max-width: 502px) 100vw, 502px\" \/><\/p>\n<p>\u201cMajolica <em>[Minton\u2019s version of Italian tin-glaze maiolica &#8211; English body, opaque white tin-glaze, painted enamel decoration]<\/em> was produced for the first time by Messrs. Minton, in 1850 <em>[Minton actually exhibited TWO new products at the 1851 Great Exhibition, \u2018majolica\u2019 and \u2018Palissy&#8217; <\/em> and they have been for many years the only producers of this article. It is only five or six years ago <em>[1871]<\/em> that Messrs. Maw, of Broseley, in Shropshire (and very lately the Worcester manufactory), have made a pottery of the same kind <em>[This is solid proof that he is referring to tin-glaze. Lead-glaze ware was copied and\u00a0mass-produced by multiple manufacturers before 1871]<\/em>. The name of majolica is now applied indiscriminately to all fancy articles of coloured pottery. When, however, it is decorated by means of coloured glazes <em>[He means coloured lead glazes],<\/em> if these are transparent, it ought to be called <span style=\"color: #00ff00;\">Palissy<\/span> <span style=\"color: #00ff00;\">ware<\/span>, from the name of the great artist who used these for his beautiful works <em>[Referring to Bernard Palissy, another great Frenchman, working mid-16th century]<\/em>. Messrs. Wedgwood, George Jones, and a few other makers of less importance, are reproducing it more or less successfully <em>[Amusing comment. But it does prove he is referring to the lead-glaze ware we now call <span style=\"color: #00ff00;\">Majolica<\/span>].<\/em><\/p>\n<p>Online source: <span style=\"font-family: Calibri;\"><a href=\"https:\/\/archive.org\/stream\/britishmanufact08goog#page\/n56\/mode\/2up\" target=\"_blank\" rel=\"noopener\">British Manufacturing Industry<\/a>, Leon Arnoux, 1877<\/span><\/p>\n<h2><strong>6.\u00a0Minton\u2019s \u2018Majolica\u2019 product exhibited in 1851 became a<\/strong><\/h2>\n<p>A. commercial success copied throughout Europe and US\u00a0 B. commercial failure copied by almost nobody\u00a0 <strong>B. Commercial failure copied by almost nobody<\/strong><\/p>\n<figure id=\"attachment_1202\" aria-describedby=\"caption-attachment-1202\" style=\"width: 1316px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1202\" src=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/Minton-tin-glaze-maiolica-plate-1861.JPG\" alt=\"Minton tin-glaze 'majolica' plate, 1861, brush-painted decoration on opaque white tin-glaze enamel.\" width=\"1316\" height=\"497\" srcset=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/Minton-tin-glaze-maiolica-plate-1861.JPG 1316w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/Minton-tin-glaze-maiolica-plate-1861-150x57.JPG 150w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/Minton-tin-glaze-maiolica-plate-1861-300x113.JPG 300w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/Minton-tin-glaze-maiolica-plate-1861-1024x387.JPG 1024w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/Minton-tin-glaze-maiolica-plate-1861-624x236.JPG 624w\" sizes=\"auto, (max-width: 1316px) 100vw, 1316px\" \/><figcaption id=\"caption-attachment-1202\" class=\"wp-caption-text\">Minton tin-glaze &#8216;majolica&#8217; plate, 1861, brush-painted decoration on opaque white tin-glaze enamel.<\/figcaption><\/figure>\n<p>We need no proof\u00a0of the success of Minton&#8217;s 1851\u00a0&#8216;Palissy ware&#8217; known later\u00a0as &#8216;majolica&#8217;.\u00a0Minton&#8217;s 1851 tin-glaze\u00a0&#8216;Majolica&#8217;, however, is virtually unknown, a commercial failure, despite its superb quality.<\/p>\n<h2><strong>7.\u00a0Writing in 1877 Leon Arnoux refers to Minton, Wedgwood and George Jones as manufacturers of\u2026<\/strong><\/h2>\n<p>A. Palissy ware B. Majolica\u00a0 <strong>A. PALISSY WARE<\/strong><\/p>\n<p><strong>Arnoux, 1877:<\/strong><br \/>\n<em>[Comments in brackets are ours]<\/em><br \/>\n\u201cThe name of majolica is now applied indiscriminately to all fancy articles of coloured pottery. When, however, it is decorated by means of coloured glazes <em>[He means coloured lead-glazes],<\/em> if these are transparent, it ought to be called <span style=\"color: #00ff00;\">Palissy ware<\/span>, from the name of the great artist who used these for his beautiful works <em>[Referring to Bernard Palissy, another great Frenchman, working mid 16th century].<\/em> Messrs. Wedgwood, George Jones, and a few other makers of less importance, are reproducing it more or less successfully <em>[Amusing comment, but it does prove he is referring to the lead-glaze ware we now call <span style=\"color: #00ff00;\">Majolica<\/span>].\u201d<\/em><\/p>\n<p>Online source: <span style=\"font-family: Calibri;\"><a href=\"https:\/\/archive.org\/stream\/britishmanufact08goog#page\/n56\/mode\/2up\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0066cc;\">British Manufacturing Industry<\/span><\/a>, Leon Arnoux, 1877<\/span><\/p>\n<h2><strong>8. How many of these 3 groups had lead in the glaze in 1860?<\/strong><\/h2>\n<p>Victorian majolica, Italian maiolica, Delftware?\u00a0 A. 3\u00a0 B. 2\u00a0 C. 1\u00a0\u00a0 <strong>A. ALL THREE<\/strong><\/p>\n<p>Which ones have lead in the glaze?<\/p>\n<p>Victorian colored glazes majolica\u00a0 <strong>YES<\/strong>. Silicates + potash + <span style=\"color: #00ff00;\">lead<\/span> oxide<\/p>\n<p><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Libre Franklin','Helvetica Neue',helvetica,arial,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">Victorian tin-glaze majolica \u00a0 <\/span><strong>YES<\/strong><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Libre Franklin','Helvetica Neue',helvetica,arial,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">. Silicates + potash + <span style=\"color: #00ff00;\">lead <\/span><\/span><span style=\"display: inline !important; float: none; background-color: transparent; color: #333333; cursor: text; font-family: 'Libre Franklin','Helvetica Neue',helvetica,arial,sans-serif; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">oxide + tin oxide<\/span><\/p>\n<p>Italian maiolica \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <strong>YES<\/strong>. Silicates + potash + <span style=\"color: #00ff00;\">lead<\/span> oxide + tin oxide<\/p>\n<p>Delftware \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <strong>YES<\/strong>. Silicates + potash + <span style=\"color: #00ff00;\">lead<\/span> oxide + tin oxide<\/p>\n<p>Delftware is a development of Italian tin-glaze maiolica<\/p>\n<p>\u201c\u2026the French and Delft fa\u00efences, which were a transformation of majolica <em>[a transformation of tin-glaze maiolica]\u2026\u201d<\/em><\/p>\n<p>Online source: <a href=\"https:\/\/archive.org\/stream\/britishmanufact08goog#page\/n56\/mode\/2up&quot; target=&quot;_blank\" target=\"_blank\" rel=\"noopener\"><span style=\"color: #0066cc;\">British Manufacturing Industry<\/span><\/a>, Leon Arnoux, 1877, pages 8,9 and 12, on delftware and faience.<\/p>\n<h2><strong>9. How many of these three ceramic genres had tin in the glaze in 1860?<\/strong><\/h2>\n<p>Victorian majolica, Italian maiolica, Delftware?\u00a0 A. 3\u00a0 B. 2\u00a0 C. 1\u00a0\u00a0\u00a0 <strong>B. Trick question! ALL THREE.<\/strong><\/p>\n<p>Victorian majolica\u00a0 <strong>YES<\/strong>.\u00a0 Silicates + potash + lead oxide + <span style=\"color: #ffff00;\">tin<\/span> oxide<\/p>\n<p><em><strong>The phrase &#8216;Victorian majolica&#8217; usually includes not only the mass produced vibrant whimsical lead-glazed product we call &#8216;majolica&#8217; <span style=\"color: #ffcc00;\">but also the rare tin-glazed product in imitation of Italian maiolica<\/span> that Minton annoyingly called &#8216;majolica&#8217; also.<\/strong><\/em><\/p>\n<p>Italian maiolica\u00a0\u00a0 YES.\u00a0 Silicates + potash + lead oxide + <span style=\"color: #ffff00;\">tin<\/span> oxide<\/p>\n<p>Delftware\u00a0 YES.\u00a0 Silicates + potash + lead oxide + <span style=\"color: #ffff00;\">tin<\/span> oxide<\/p>\n<h2><strong>10.\u00a0How is the look of tin-glaze earthenware best described?<\/strong><\/h2>\n<p>A. An opaque white enamel with colored decoration\u00a0 B. An opaque white enamel, brush-painted with colored decoration\u00a0 C. A covering of opaque white enamel with painted decoration in the Italian style.\u00a0\u00a0 <strong>B. An opaque white enamel, brush-painted with colored decoration\u00a0<\/strong><\/p>\n<figure id=\"attachment_1203\" aria-describedby=\"caption-attachment-1203\" style=\"width: 427px\" class=\"wp-caption alignleft\"><a style=\"color: #ffffff;\" href=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/tin-glaze-maiolica-urbino-ware-pitcher.JPG\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-1203\" src=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/tin-glaze-maiolica-urbino-ware-pitcher.JPG\" alt=\"Urbino ware\" width=\"427\" height=\"755\" srcset=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/tin-glaze-maiolica-urbino-ware-pitcher.JPG 456w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/tin-glaze-maiolica-urbino-ware-pitcher-85x150.JPG 85w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2015\/10\/tin-glaze-maiolica-urbino-ware-pitcher-170x300.JPG 170w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/><\/a><figcaption id=\"caption-attachment-1203\" class=\"wp-caption-text\">Tin-glaze Italian maiolica, Urbino ware pitcher, circa 1570<\/figcaption><\/figure>\n<p>A. \u00a0&#8216;An opaque white enamel with colored decoration&#8217; does not say <em>how <\/em>it is colored. Tin-glaze earthenware is usually brush painted (lead-glaze is usually &#8216;block colored&#8217;)<\/p>\n<p>B. \u00a0&#8216;A covering of opaque white enamel, brush-painted with coloured decoration&#8217;\u00a0THIS FITS ALL CRITERIA<\/p>\n<p>C. \u00a0&#8216;A covering of opaque white enamel with painted decoration in the Italian style&#8217; Tin-glaze earthenware is not always decorated in the Italian style. For example Delftware is tin-glaze often decorated in the Chinese style.<\/p>\n<p>Look and ye shall see. Lead-glaze earthenware. Tin-glaze earthenware.\u00a0 We know they are different. <strong>We can see they are different.<\/strong><\/p>\n<p>Below are two helpful pictures of lead-glaze products.<\/p>\n<figure id=\"attachment_1308\" aria-describedby=\"caption-attachment-1308\" style=\"width: 593px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-5-glaze-miss.JPG\" rel=\"attachment wp-att-1308\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1308\" src=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-5-glaze-miss.JPG\" alt=\"Lead-glaze earthenware glaze miss showing buff biscuit 'block-painted' with colored lead glazes\" width=\"593\" height=\"371\" srcset=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-5-glaze-miss.JPG 593w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-5-glaze-miss-150x94.JPG 150w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-5-glaze-miss-300x188.JPG 300w\" sizes=\"auto, (max-width: 593px) 100vw, 593px\" \/><\/a><figcaption id=\"caption-attachment-1308\" class=\"wp-caption-text\">Lead-glaze earthenware.\u00a0 Glaze miss exposes buff biscuit body &#8216;block-painted&#8217; with colored lead glazes<\/figcaption><\/figure>\n<p>First, a detail of a Victorian majolica lead-glaze \u2018miss\u2019 conveniently illustrating three characteristics of lead-glaze earthenware:<\/p>\n<p>1.\u00a0Unglazed buff body beneath<\/p>\n<p>2.\u00a0Vibrant coloured translucent lead-glazes<\/p>\n<p>3.\u00a0Method of application which one might describe as \u2018solid colored\u2019 as\u00a0compared with\u00a0the usually fine\u00a0brush-strokes found on tin-glaze earthenware<\/p>\n<figure id=\"attachment_1304\" aria-describedby=\"caption-attachment-1304\" style=\"width: 740px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-6-Sancai-horse.JPG\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1304\" src=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-6-Sancai-horse.JPG\" alt=\"Lead glaze earthenware, Chinese Sancai horse, colored\" width=\"740\" height=\"556\" srcset=\"https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-6-Sancai-horse.JPG 740w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-6-Sancai-horse-150x113.JPG 150w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-6-Sancai-horse-300x225.JPG 300w, https:\/\/madelena.com\/blog\/wp-content\/uploads\/2016\/01\/bLOG-Mm-6-Sancai-horse-624x469.JPG 624w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/a><figcaption id=\"caption-attachment-1304\" class=\"wp-caption-text\">Lead glaze earthenware, Chinese Sancai horse, colored lead glazes &#8216;block-painted&#8221; directly on to buff biscuit. Circa AD 300.<\/figcaption><\/figure>\n<p>Finally, in case anyone thinks lead glazing was actually invented by Arnoux in 1850, check out this 27 inches tall Chinese horse.<\/p>\n<p>This guy is approximately seventeen centuries old. Look at the color run on the green glaze!\u00a0 1,700 years have passed and still we see this problem even from the best makers.<\/p>\n<h2><a href=\"http:\/\/majolicasociety.com\/index.html\" target=\"_blank\" rel=\"noopener\">Majolica International Society<\/a><\/h2>\n<h3><a href=\"https:\/\/madelena.com\/antique-majolica-pottery.php?sort=rankPrice&amp;show=10&quot; target=&quot;_blank&quot;&gt;\" target=\"_blank\" rel=\"noopener\">Majolica Gallery<\/a><\/h3>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Victorian_majolica\">Wikipedia<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Which is it? What is it? Majolica? Maiolica? Victorian Majolica? MAIOLICA MAJOLICA \u201cThese two words have been used interchangeably and still are.\u201d Online Search Engines Present day dictionary compilers and online search engines\u2019 primary definitions treat\u00a0&#8216;maiolica&#8217; and &#8216;majolica&#8217;\u00a0as interchangeable. Fans of tin glazed maiolica (with an &#8216;i&#8217;) and fans\u00a0of\u00a0lead glazed\u00a0majolica (with a &#8216;j&#8217;)\u00a0 both\u00a0feel this [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1304,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-1254","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-majolica"],"_links":{"self":[{"href":"https:\/\/madelena.com\/blog\/wp-json\/wp\/v2\/posts\/1254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/madelena.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/madelena.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/madelena.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/madelena.com\/blog\/wp-json\/wp\/v2\/comments?post=1254"}],"version-history":[{"count":122,"href":"https:\/\/madelena.com\/blog\/wp-json\/wp\/v2\/posts\/1254\/revisions"}],"predecessor-version":[{"id":3165,"href":"https:\/\/madelena.com\/blog\/wp-json\/wp\/v2\/posts\/1254\/revisions\/3165"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/madelena.com\/blog\/wp-json\/wp\/v2\/media\/1304"}],"wp:attachment":[{"href":"https:\/\/madelena.com\/blog\/wp-json\/wp\/v2\/media?parent=1254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/madelena.com\/blog\/wp-json\/wp\/v2\/categories?post=1254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/madelena.com\/blog\/wp-json\/wp\/v2\/tags?post=1254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}